Ottobar

Prince Daddy and the Hyena

Saturdays At Your Place

Riley!

Carpool

Arrows in Action and more TBA

The Ergs! 20th Anniversary of DorkRockCorkRod

The Ergs! are an American punk rock band formed in 2000 in South Amboy, NJ, by three high school friends: drummer/lead vocalist, Mikey Erg (Mike Yannich); guitarist/vocalist, Jeff Erg (Jeff Schroeck); and bassist, Joey Erg (Joe Keller). Through touring and recording, The Ergs! became recognized on a national and international level, touring and playing with such noted acts as The Bouncing Souls, Lifetime, Less Than Jake, Descendents, The Loved Ones, The Gaslight Anthem, Dillinger Four, None More Black, The Explosion, Municipal Waste, Lemuria, and more.

mc chris
Crunk Witch 
more TBA

mc chris is most widely known for his reoccurring character MC P Pants on Adult Swim’s Aqua Teen Hunger Force where he was also an animator and writer. He’s been featured in the Aqua Teen movie, the video game and most recently on a series of You Tube videos called Aqua Donk Side Pieces. He’s also starred on several Adult Swim series including The Brak Show and Sealab 2021. When he’s not voicing some of his iconic late-night characters, he’s a full-time touring rapper. A pioneer of the hip hop subgenre Nerdcore, mc chris has worked with the likes of Talib Kweli, Andrew WK, and Donald Glover. His fans include the likes of Gerard Way, Post Malone and T-Pain and was even sampled by Run the Jewels for the latest Aqua Teen movie Plantasm. He’s toured with Reggie and Full Effect, Ninja Sex Party, Warped Tour, appeared on a GWAR album, performed at the gathering of the Juggalos and even had his own Honda commercial. His music has been featured on several Adult Swim Shows and commercials, Broad City and America’s Funniest Home Videos. mc chris is the widely accepted soundtrack to nerd culture. Not only does he rhyme about what nerds love most, but he was one of the first performers to encourage nerds to take pride in themselves and what they care about. He’s a full-time single father to his son, Tony, and lives in Los Angeles.

THIS SHOW IS AT ZIKA FARM

Fiddlehead

Gel

Since forming in 2014, Fiddlehead–Flynn, drummer Shawn Costa, guitarists Alex Henery and Alex Dow, and bassist Nick Hinsch–have been honing their unique sound, bringing together the energy of hardcore, the anthemic melodies of ‘90s alternative, the unbridled passion of Revolution Summer era emo. For Death Is Nothing To Us, the band again teamed with producer/engineer Chris Teti, and his punchy production captures the spark of Fiddlehead’s live show while doing justice to the massive guitars and undeniable catchiness that makes their music so immensely satisfying. The album’s concise 27 minutes sound like a natural extension of all of the band’s strengths, embracing the more melodic sensibilities of Between The Richness while maintaining the visceral bite of Springtime and Blind. “We knew we wanted to do something a little more aggressive sounding,” explains Henery. “That kind of stuff grounds the band. I think maybe people would have expected us to go cleaner with this LP but I see this as a real mix of the first two.”

The band’s agile sound, whether in their fiery attack or soaring choruses, is glued together by Flynn’s singular tuneful roar. From his seminal early band Have Heart, to Fiddlehead and his many projects in-between (Clear, Wolf Whistle, Free, Sweet Jesus…), the vocalist has earned a reputation as not only one of the most engaging performers in hardcore but also one of the genre’s most thoughtful lyricists. Here, on Death Is Nothing To Us, his lyrics cross into the rarified air where they could stand on their own, without the music. Across the album, Flynn seamlessly interweaves his ruminations on life, death, and all the joy and tragedy in between with references to Roman philosopher Lucretius; the author Jean Améry; other musicians like Bad Brains, Alex G, or Wire (doubling as a nod to the iconic Minor Threat cover of “12XU”); and even titles and lyrics from Fiddlehead’s own back catalog.

Yet Death Is Nothing To Us goes beyond simply touching on similar themes as Fiddlehead’s previous work. There’s a key distinction here–a sense of clarity, and perhaps even moreso, a sense of defiance. The title makes things clear: this is a statement, a line in the sand, and it’s not about one person, it’s about us. “I saw the title in this poem, ‘On The Nature of Things,’” Flynn explains. “It was rediscovered around The Renaissance, and it helped remind people more of the greatness of life and less about the sadness of death. It’s about not allowing death to rule over life.”

Sloppy Seconds
Raging Nathans
Over Our Eyes
Paperback Tragedy

Black Flag
The First Four Years

Jess Cornelius
and guests TBA

Everything Happens! Summer Tour
Stacked Like Pancakes
Lady Hatchet
The Soularites
The Great Heights Band

A Skylit Drive
Celebrating 15 Years of "Adelphia"
with guests 
VRSTY
Ovtlier

REDACTED
Relentless Souls

 

King Buzzo & Trevor Dunn
with guest JD Pinkus

We are bringing together a multitude of artists/performers/folks to have an intersection of the many corners of our arts communities that we love so dearly in Baltimore. Building on the past two showcases we’ve put together, we are partnering with producer not charles and beloved venue Ottobar to continue this work. Rather than focusing only on artists that are on our label, we want to involve other peers of ours who influence & excite us.

Chris Gethard with Eddie Pepitone & Keegan Tindall

 

UŽ JSME DOMA
Consumer Culture
Severed Satellites

Music like the one played by UJD is hard to find anywhere else. It is wild in a punk way,
urgent, yet the composition is complex and elaborate with timeless lyrics. The typical
features are the trumpet sound, the incredible tempo and the live performances filled
with intense energy and humor. This is perhaps the reason why the band as well as their
audience don’t seem to get any older.
The music may seem chaotic, arranged randomly or improvised to an unfamiliar ear, but
that is far from the truth. The music relies on each tone, detail, band discipline and much
like a philharmonic orchestra, the musicians play according to sheets. An integral part of
the band’s footprint is the visual aspect provided by Martin Velíšek, a famous Czech
painter and graphic artist as well as a non-performing band member.
Už jsme doma was established in Teplice in 1985. About six months later, Miroslav
Wanek and Romek Hanzlík joined the band, having left the legendary punk band F.P.B.,
and they brought the work ethic and uniqueness that were characteristic of the F.P.B.
The music of Už jsme doma was heavily influenced by the Rock in Opposition avantgarde scene and most importantly by The Residents as well as by the punk scene
(Damned or Ebba Grön). On the Czech scene they have been in such company as the
bands Psi vojaci, Dunaj, Dybbuk or Krasne nove stroje.
Before the Velvet Revoluton the idiotic establishment had basically outlawed the band
making it illegal to perform publicly or make records. However, after 1989 they broke
through mostly because of their sophisticated originality, work ethic and will power
making it as afar as European clubs, North America and Japan where they have been
enjoying success in the form of regular concert tours. So far they have used their original
music to represent the Czech Republic in over 40 countries (just in USA more than 700
shows) and on 4 continents making them a respected part of the worldwide avantgarde.
The band often ventures into other art forms - animated film music (Krysaci - a TV
bedtime story, Fimfarum - Mira Wanek’s music was nominated for Cesky Lev - Czech
film awards), theatre (Ex-divadylko Zvolen, Minor, etc.).